Monday, 18 April 2016

Dance Education Rules and Procedures for all Dancers

Dance Education Rules and Procedures for all Dancers
Copyrights (C) of PUSHPAARPANAM DANCE GROUP. All rights reserved
not to COPIED, SAVING IMAGE, on any Facebook, Magazines, Instagram, Screen shots
websites....all image strictly Coryrights (C) of PUSHPAARPANAM 
DANCE GROUP.

PS: for read purpose only / printing are not allowed

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Level 1
At the end of level 1, student will learn:
The prayer before and after dance (namaskar)
Basic positions
Basic Understanding of Thala(Rhythm)
Adavus
All the 8 Tattu adavus
All 8 Nattu  aduvus
Meettu/Marthitha  adavus      – first 3
 Pakka adavus -8
First group of theermana     adavus(Makuta) - 4 adavus
Kuthitamettu adavus - 8
Ettu/Kuthu Adavus – first 2
Dance Item(s)
*Alarippu /or *Kauthuvam / or*Pushpanjali
Folk or semi classical dance
Theory
28 Asamyuktha Hasta Mudras
Drishti Bhedas(Eye Movements)
Greeva Bhedas(neck movements)
Definitions Given In the hand book
Introduction to Bharatanatyam Given In the Book
The 10 Rules

Level 2
At the end of level 2, student will learn:
Adavus
Periya Adavus
Sarukkal Adavus
Uthplavana Adavus
Tattimettu Adavu
Kathi Adavu
Thajathajamtharitha adavus
Advanced Marthitha Adavus
Dance Items
*Jathiswaram and/or *Sabdam and/or Mallari
Semi classical dance or folk  dance
Theory
24 Samyuktha Hastas
Shiro Bheda (Head Movements)
Pada Bhedas
Different Items in Bharatanatyam (Margam)
History of Bharatanatyam

Level 3
At the end of this level, Student Will Learn:
Adavus
Sarukkal2(Mayura)Adavu
Theermana Adavus
Shimir Adavu
Karthari Adavu
Mandi Adavus
Sutral Adavus
Advanced Kuttu Adavus
Mai Adavus
Dance Items
Thillana Or *Keerthanam
Semi Classical or Fusion dance
Theory
Shlokas of Samyuktha and Asamyukta Hasthas
Dasavathara Hasthas
Wrist Movements
Madala Bhedas
Types Abhinaya
The Navarasas(9 emotions)

Level 4
 At the end of this level, Student Will Learn:
Adavus
All Adavus learned in last 3 levels in 3rd speed
Korvai Adavus
Dance Items
Thillana or Padam
Semiclassical  or Mohiniyattam
Theory
Bandava Hasthas
Sthanaka Bhedas
Few Viniyogas of selected hand gestures
Growth and Revival of Bharatanatyam
Different styles of Bharatanatyam

Level 5 -- Arangetram Dance Level
At the end of this level, Student Will Learn:
Dance Items
*Varnam
Padams
Semi-classical or Fusion
Bhajans
Theory
Study of Margam in detail
More Hastha  Vinigoyas

Level 6--  POST Arangetram Level in dance
Dance Items
*Varnam
Padams
Semi-classical or Fusion
Theory
Gati Bhedas
Bhramari Bhedas
Utplavana Bheda
Chari Bhedas
More Viniyogas of selected hand gestures


©2013-2017 Pushpaarpanam Dance Group. All rights reserved
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Pushpaarpanam Dance Of Art Class Trainer is Conducting Indian Classical Dance By People Association in Lifeskill and Lifestyle Singapore at respective Community Club (cc)

1.FRONTIER CC on Saturday
2.YUHUA CC on Saturday  2 Classes in  Elementary and Intermediate
3.NANYANG CC on Saturday 2 Classes in Elementary and Intermediate
4.YEW TEE CC on Sunday 2 Classes in Elementary and Intermediate
5.AYER RAJA CC on Sunday 2 Classes  Elementary and Intermediate for kids and Advance for adults.
6.NANYANG RC on Thursday for Elementary for beginners
Dance Education and learning  at Pushpaarpanam "Dance Class is a lifelong process of transformation and evolution”
Bharatanatyam Training (8 years)
1. Beginner Level (2.5 years) Adavu Training on 16 Adavu in Group (84  Steps) -  2.5 years Basics Training
Year: 1      32 steps
Year: 2      32 Steps
Year :3      32 steps
2. Intermediate Level (2 years) Margam - Training
Invocation items : Pushpanjali, Alarippu, Natesh Kautuvam
Nritta Items: Jatiswaram, Thillana 
3. Advance Level (2 years)
Margam -Training
Shabdam
Varnam,
Padam,
Shlokam
4. Arangetram Training  Level (6months - 1 year)
4a. Arangetram Training -4 to 6 Months and Mangalam on stage performance.
5. Arangetram
Preparing for Arrangetram:-
Arangetram is a tamil word. Aranga-raised floor and Etram-climbing on stage in Tamil. It is also called Rangapravesha. This should be the first public performance of an artist she / he student.
This is the occasion for a proud Guru / Trainer to present she/he student to the public performance .
The Guru trainer or teacher  will decide when the student are ready for a public performance / event / concert  after 6-7 years of training on various dance item choreographed by teacher.
Choreography consist of:-
1.Semi Classical Based on Classical dance style and free style dance movements combined.
2.Folk dances
3.Bollywood on Hindi songs
4.Mayur Nrityam on krishnan
5.Creative & Theme dances
6.Dance Drama based on Indian Epic like Ramayana and Mahabhratham
7.Fusion Dances
8.Theme Dances
9.Modern Innovations
10.Contemporary Dances
Guru trainer or teacher(mentor) are authorize and decision making person to select as the best or most appropriate she/he student for any stage performance / event / concert arranged under / by Pushpaarpanam Dance Group.

BharataNãtyam is a Divine art.

Arangetram:- (Dancing on the stage very 1st time) after learning certain years of dance adavus and mastered   properly.
It requires 6-8 years of training before you perform Arangetram. Pushpaarpanam Art of Dance Class prepares students with dedication, vigorous practise and full concentration for their first public performance as 
balarnadanam in normal an artist. After training of the 6-7 years student is ready for the first performance.
Pushpaarpanam Art of Dance Class focus on mastery over the technique of movements to achieve grace, balance, suppleness, physical endurance and a faultless sense of rhythm and perfection. Arangetram is a major event in the dance student's life. It is the culmination of many years of learning dance and Indian culture arts..
The student rises to a new level of performance, and moreover, develops the discipline to achieve a long term goal in dancing and teaching as trainer or choreographer as mentor for junior students. As with any graduation, it is much more than a stamp of approval by trainer and examiner in their exams. "To reveal art and conceal the artist is art’s aim." Need to see and view by parents and students before knowing what is Indian classical dance means on Bharathnatiyam before going on to the proper stage call arangam means stage for 1st performance by guidance of Dance Trainer to proof her or him  as good Dancer.




©2013-2016 Pushpaarpanam Dance Group. All rights reserved

Sunday, 17 April 2016

Updated study material's (version 2.0) ©2013-2017 Pushpaarpanam Dance Group. All rights reserved


Coryrights (C) of PUSHPAARPANAM DANCE GROUP. All rights reserved not to COPIED, SAVING IMAGE, on any Facebook, Magazines, Instagram, Screen shots websites....all image strictly Coryrights (C) of PUSHPAARPANAM DANCE GROUP.

Course Contents Notes for printing only






1. intro... 2. The relevance.. 

3. Articles about....Navarasa The Nine Moods

4. Bharathanatya evenly....Nritta Nritya Natya 2

5. Lotus


6. and 7. posture of standing & sitting


8. Intro salution...



9. Abinaya in Dance....(Body Gestures)


10. Angikam....Vangmayam


11. Leg position (pada bhedas) pic 1


11. Leg position (pada bhedas) pic 2


11. Leg position (pada bhedas) pic 3


12. Mudras Asamyukta Hasta or single hand gestures pic 1

12.  Mudras Asamyukta Hasta or single hand gestures pic 2

13. Yoga pic 1


13. Yoga pic 2


13. Yoga pic 3


14. Exercise pic 1


14. Exercise pic 2


14. Exercise pic 3


15. Thattu Adavu no 1,2,3,4,5,6,7,8





16. Bharata...photos....1 to 9


17. Abinayam..Part 2


18. Naattu Adavu no 1,2,3

18. Naattu Adavu no 4,5

18. Naattu Adavu no 6,7

18. Naattu Adavu no 8

19. Bharata...photos....10 to 18

20. Eyes exercise (drishti bheda) pic 1

20. Eyes exercise (drishti bheda) pic 2

21. Neck Exercises (shiro bhedas)  pic 1

21. Neck Exercises (shiro bhedas) pic 2

21. Neck Exercises (shiro bhedas) 3

22. Paraval adavu no 1 to 3

22. Paraval adavu no 4, 5

22. Paraval adavu no  6,7

22. Paraval adavu no 8

Body positions👈


Variations of adavus in 4 important 
Method of execution

This Aḍavu is usually used to cover space. This Aḍavu extensively uses Swastika bheda, Aramandi and Samapāda. 
The feet are moved in different geometrical patterns, covering extensive space.  In 1st picture 👇👇👇

Mnemonic syllables /Sollkattu👂
Tā Tei Tei Ta Dhit Tei Tei Ta👂
Both right and left legs

Points to remember👈
Aramandi position is maintained without disturbance even while moving, except where there isSamapāda.
Swastika leg position needs to be precise.


Hand Positions👈


Hands held at chest level
Hand stretched in front, and then making a circular movement from there
Hand tracing a semi-circle ,on either side, with hand being stretched from chest level, above the head and towards the side of the body at shoulder level
Hands, making a full circle around the body

4 Mudras in Hastings✋to remember 


23. Panjanaadai no 1, 2,3,4,5


24. Tattimetti adavu (Kuthuadavu) no 1 to 2

 24. Tattimetti adavu (Kuthuadavu) no 3 to 4

 24. Tattimetti adavu (Kuthuadavu) no 5 to 6

25. Bharata...photos....19 to 26

25. Bharata...photos....27 to 35

25. Bharata...photos....36 to 42

25. Bharata...photos....43 to 49


26. Mudras Samayukta Hasta or double hands gestures pic 1

26. Mudras Samayukta Hasta or double hands gestures pic 2


27. Teermanam adavu no 1 to7
no1

no.2

no.3

no.4


©2013-2017 Pushpaarpanam Dance Group. All rights reserved